After all, of all Italian cities, Milan probably deems the least Italian. No jolly groups sipping Aperol Spritz while playing boccia. Instead, executives rushing from their stately apartment houses to offices in glittering business centers. Hardly a narrow cobblestone alley. Rather big cars on broad avenues. Few statues around. No renaissance. No baroque.
Nevertheless, if you are prepared for what to expect, Milan will not disappoint you. Therefore, let me guide you to the city’s most important art venues – and beyond.
Most visitors to Venice stay and explore only the Centro Storico, thehistoric center. It is divided into six districts called Sestieri. Although they seem to form one large island, there is a total of 120 islands in the lagoon. However, only 11 are permanently inhabited.
Of those islands, Murano is the third largest one – after the Centro Storico and the Lido. It actually consists of seven small islands divided by eight channels and connected by bridges.
Visiting Basel, you’re not only seeing Switzerland’s third-largest city – after Zurich and Geneva. You also get to know lots of great art venues. And if you hike the Rehberger Trail, a route decorated with sculptures by German artist Tobias Rehberger, you can even cross the border to Germany walking.
That’s one of the things I absolutely love about Basel: It is located in the tri-border area of Switzerland, Germany, and France. Three totally different countries getting connected in harmony.
Hardly anyone I know has ever heard of the Elgiz Museum of Contemporary Art, so I really think it’s Istanbul ‘s best-hidden Gem.
Coming to this grand city on the Bosporus river, obviously, everybody is standing in line to see the antique masterpieces at Hagia Sophia and the Topkapı Palace. Or – if they venture away from Sultanahmet – the very ‘French’ Dolmabahçe.
But hardly anyone comes to Istanbul to see the young, fresh, and daring Turkish contemporary art.
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